Stephen King once wrote, “Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.” This is advice often given to writers. It means you should get rid of your most cherished and self-indulgent passages for the good of your prose. But maybe that’s a bit extreme. Maybe you don’t have to kill your darlings; maybe they just need to be turned into responsible adults.

Once your manuscript is complete, you may find yourself reading and rereading it, constantly making tweaks or rearranging small pieces of the text or rewording your never-quite-right prose. It may seem like it will never be perfect. Guess what. It won’t. But it’ll never be done either unless you let it go.

One of the elements of a book that doesn’t get spoken of much is the index. An index is essentially a roadmap to the book, listing names, places, and things in alphabetical order and giving the page numbers associated with each topic. For nonfiction books, packed with valuable information, a well-made index can help quickly direct the reader to the information they’re trying to find.

Before you begin writing a book, it’s crucial to ask yourself why. Without a clear understanding of the purpose of your book, it’s difficult to make it stand out from the thousands that are published each day. But there are two sides to that question: why you want to write the book and why someone else would want to read it. Understanding both sides of that coin is crucial if you want to both get your message across and ensure that there’s someone on the other end to receive it.

Questions about the editing process are natural—especially if you are a first-time author. You may be wondering about your editor and what will happen to the manuscript you’ve worked so hard on. Who is this person, and what are they going to do to my book?

Your editor’s motivations are much the same as yours: to make your book the best it can be. Don’t worry: She doesn’t want to stifle your voice; she wants to help you be heard.

00:00 – Hi, I'm Amber. I'm an editor at Greenleaf Book Group, and today we're going to talk about why a manuscript would need an editor.

00:13 – Even when you're a wonderful writer, a professional editor can always help improve your manuscript. Maybe your book needs just a bit of finessing, or maybe it needs more of an overhaul. Either way, an editor can be a valuable partner. That's the case because authors tend to be very close to their subject matter. They've often worked on the project for years, and it's incredibly helpful to have someone else sit down, approach the work with a fresh perspective, and point out any blind spots that may have developed in the author's vision of their own work and that's precisely what a good editor does.

00:44 – Whether the changes they suggest are big like changing the whole focus of the book, or cutting out entire chapters, or small like punctuation and grammar, the book editor always serves two masters. First, they serve the eventual reader of the book. The editor points out to the author passages that may confuse or annoy or bore or possibly even offend the reader, then they suggest how to fix the problem. They also work on catching errors and omissions. Without this work done, the reader may regard the work as unprofessional and be less invested in the author's message.

01:18 – The book editor’s second master is of course the author. The editor has to make sure that the author is on board with any changes to the book, and that any alterations maintain the spirit and tone of the author's work. An author should never feel that their book editor is putting him or herself into the book or making changes that don't feel warranted. So, a book editor is sort of a test reader really noticing what your readers might before you take the book to market.

01:44 – A professional editor is also willing to frankly point out the problems a more sympathetic test reader might not, say your husband or your mom. You have to really trust someone to put your work in their hands, but we highly recommend looking for a professional, experienced editor and taking that leap of faith. You'll always come away with a stronger book.

“I’ve heard horror stories about editors,” an author told me recently at the start of a project. Another said to me, “I was really expecting the worst during editing.” Horror stories? The worst? Really? What is going on in the publishing world that has authors dreading editors and their fiendish red pencils? I know a lot of editors, and I don’t think we’re a horrible lot. Yet editors do offer up similar lamentations about working with authors: “I need to start charging a stupidity fee” or “Why won’t they just accept that I’m right.” If you’re on either side of this editorial war, I recommend you read on for some rules of engagement: