What do Harry Potter and the Girl with the Dragon Tattoo have in common other than movie deals? Well, not a lot, but their publishers and authors do both know how to take advantage of foreign book sales, a growing sector of the publishing industry where the right book and the right deal can provide a nice padding of revenue for authors and publishers.

J.K. Rowling’s Harry Potter series managed to get translated into around 70 languages, doing particularly well in the United States, where publishers obtained rights to the series and watched it top bestseller lists for months. Because of its international status, the final book in the series,Harry Potter and the Deathly Hallows, broke records when it sold 11 million copies in the first 24 hours after its release.

Independent Book Publishers Association A not-for-profit membership organization serving and leading the independent publishing community through advocacy, education, and tools for success.

Digital Book World Daily A website offering educational and networking resources for consumer publishing professionals and their partners including agents, booksellers and technology vendors.

Publishing Perspectives An International look at the publishing industry offering opinion, trends, news, and events.

Galley Cat Blog with daily features on what’s happening in publishing, guest posts from authors, tips on writing, and features on breakthrough authors.

Writers Digest The international news source of book publishing and book selling; PW reviews of books are displayed on Amazon, so can be important

Shelf Awareness A daily newsletter about the book trade from the booksellers’ perspective.

Book Industry Study Group The creator of the official genres that most organizations in the publishing industry use.

Bowker The organization that manages, sells, and oversees ISBNs in the United States; also publishes reports on book consumer demographics and buying behaviors.

Writer’s League of Texas A non-profit association of Texas writers offering networking, education, resources, conferences, and information on writing and publishing

Publisher’s Weekly The international news source of book publishing and book selling.

One of the most frequently asked questions in publishing is “Do I need a literary agent?” Well, that depends on your goals, genre, resources, and which publishing option you choose.

If you are pursuing a traditional publishing deal, an agent is essential. Most traditional publishers don’t accept unsolicited manuscripts, meaning that they only accept manuscripts they’ve commissioned or that are represented by a reputable agent. Not only does the agent act as the middle man—and the first line of defense for the hundreds of slush submissions that publishers would otherwise have to sift through—the agent also acts on your behalf in the negotiation process when a publisher is ready to purchase the rights to your book.