Book Creation

Submitting Your Work

Book Printing: How to Avoid a Printing Disaster

Going to press is exciting. Lots of hard work is behind you, and the finished book is close to becoming a reality. But as you print your books, you should be aware of potential complications. Consider the printing of your book as a custom project. The jacket, covers, and text are unique–written, designed, and printed specifically for you as opposed to being interchangeable commodities to be pulled from a shelf.

That being said, it's difficult for a printer to produce the precise amount of books you request. When the printer orders materials for printing a book, he must allow for spoilage at each manufacturing stage. If production runs smoothly and spoilage is kept to a minimum, there will likely be higher yields of the final product. These extra books are referred to in the industry as "overs."

And here's where people tend to get confused: Your invoice will reflect the total amount of books shipped from the printer, meaning that if relatively few books have defects, you'll end up being charged for the total number of books shipped.

Talking the Talk: Publishing Terms and Jargon

"It’s all pounds, shillings, and pence to me, darling." —Absolutely Fabulous

Just like most industries, book publishing has its own peculiar jargon—a language that may be confusing to first-time authors. To minimize confusion and miscommunication during your book’s production, here's a list of some of the more common terms you might come across:

Do I Need a Literary Agent?

One of the most frequently asked questions in publishing is “Do I need a literary agent?” Well, that depends on your goals, genre, resources, and which publishing option you choose.

If you are pursuing a traditional publishing deal, an agent is essential. Most traditional publishers don’t accept unsolicited manuscripts, meaning that they only accept manuscripts they’ve commissioned or that are represented by a reputable agent. Not only does the agent act as the middle man—and the first line of defense for the hundreds of slush submissions that publishers would otherwise have to sift through—the agent also acts on your behalf in the negotiation process when a publisher is ready to purchase the rights to your book.